Every writer needs to read. A lot. All the successful ones say the same thing: Read promiscuously. Which is all well and good. Those in writing programs are assigned stacks of books that may or may not wind up being relevant. Some books we love, some we donโt. At the time, itโs assumed even tedious books will have a beneficial effect โ perhaps showing us what to avoid.
But what about when youโre free and clear of all that? All serious writers continue devouring books โ itโs how weโre built. Books โ reading, in general โ is our secret, nourishing narcotic. I keep at least three books going at any one time: nightstand, bathroom and car. Yes, my car. I donโt read in traffic but I will never be caught without a book, whether itโs in a restaurant, coffee shop, waiting in reception. To be caught without a book is pretty much my worst nightmare.
Unless that book sucks. Then Iโm really in trouble. One does what one can to preempt bad books: reading reviews, jacket blurbs, perhaps the first few pages. But every once in a while a bad book slips through, doesnโt it? Denis Johnson once mentioned in an interview how he seldom ever finishes a book โ the author loses him, shakes his confidence in the book. Johnson said (paraphrasing here) โIf I make it a hundred pages into a book itโs a masterpiece.โ He said his interior editor is too strong โ โI want to help.โ
Iโm not so dismissive. Iโll honestly hang in there until the bitter end for most books. Iโm no Denis Johnson, for one thing. I have a lot to learn. Thatโs part of it. I always hope to be surprised. Thatโs what happened with A Confederacy of Dunces by John Kennedy Toole. I was almost ready to bail, but around page fifty, I began to see what Walker Percy was talking about in his preface, that this book was pretty damn amazing.
Reasons to bail:
- Preciousness, sentimentality, melodrama.
- Overwriting, too many pointless digressions and run-on sentences.
- Pretentious Prose.
- Transparent Plot.
- Ideological Differences.
This last one is easy to preempt, but occasionally an authorโs prejudice, political agenda or even outright misogyny will suddenly become all-too-clear midway through a book. Thatโs a good reason to hit โeject.โ Weโve all heard the complaints about Ayn Randโs work. But I feel itโs important for me to read (or attempt to read) one of her novels before I join the detractors. Someday.
I can count the books Iโve abandoned on one hand. Infinite Jest by David Foster Wallace was one. I may revisit it, and I like his other writing. But that particular one? Too many footnotes for me! Not that I have anything against footnotes, per se. Adroit usage of footnotes is certainly possible. For example, Dave Eggersโs A Heartbreaking Work of Staggering Genius employs them very effectively.
Iโve never met anyone who has finished or claims to understand Finneganโs Wake by James Joyce.
Who recommends a book to me has a lot to do with it. Some people I trust implicitly. I had a mentor in my MFA Program at Antioch (Jim Krusoe) and anything he suggests to me is ordered that day. His suggestions rarely mystify, but itโs happened. He suggested Mary Swanโs short story collection The Deep and, Iโll confess, I was relieved to reach the end. But because Jim suggested it I know Iโll give it another try someday.
Which brings up a great point: sometimes itโs not the book. Itโs me. Perhaps I wasnโt mature enough to appreciate The Deep. Iโm reading The Collected Fictions of Jorge Luis Borges right now and all I can say is it found me at the right time. Ten or twenty years ago? I wouldโve probably bailed. I wouldnโt have had the patience required. Iโm actually enjoying it very much. The fact Roberto Bolaรฑo said (again, paraphrasing) he could easily spend his entire life โsitting under a table talking to Borgesโ might have something to do with it. Or was it โsitting under a table reading Borgesโ? Either way, it influenced the way I approached Borgesโ Collected Fictions. I sometimes feel Bolaรฑoโs ghost looking over my shoulder as I read, saying, โIsnโt this fantastic?!โ To which I say, โSi!โ
Another reason Iโm reluctant to bail on a book is simple pride. Iโve kept a list of every book Iโve read since 1990. Thatโs a handy thing to have, by the way. Youโd surprised how many times Iโve appended this list or portions of it to an application or as a way to gain access/credibility with a mentor. I strive to have a good-looking list at the end of each year. I always post it on my Facebook page both as a way influence my friends and followers and, Iโll admit, a sort of boast.
But itโs not just a numbers game; I use that list to go back and revisit certain books, to refresh my memory. Some books need to be reread every few years, like Lolita by Vladimir Nabokov or Women in their Beds by Gina Berriault.
Do I skim the bad books? Rarely. If Iโm not going to read carefully, whatโs the point? I can speed-read and my retention is very good. But itโs always a sad process. Iโd much rather savor each word, each sentence. Thatโs what Iโm in it for. Speed-reading is something I did for assigned books in school. Iโm in the habit of note-taking when reading; I use a buck-slip as a bookmark and write down page numbers and a word or two that grabs me. Unless the book sucks โ then Iโll speed-read it in one sitting, all the time eyeing that next book, the good one, in my queue.
I asked Jim Krusoe if he ever bailed on books. He said, โAll the time.โ I imagine the answer is the same from all successful writers. I know I need to be a little less polite, less tolerant of bad writing. After all, there are a lot of great books out there and life is short.
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Here are the books I read in 2013. Only one of them truly sucked (and Iโm not saying which one):
- The Holden Age of HollywoodโPhil Brody
- Dear Life: Short Stories (story collection)โAlice Munro
- Slouching Towards BethlehemโJoan Didion
- As Birds Bring Forth the Sun and other stories (story collection)โAlistair MacLeod
- The Topless TowerโSilvina Ocampo
- Bullfighting (story collection)โRoddy Doyle
- Money: A Suicide NoteโMartin Amis
- Life A Userโs ManualโGeorges Perec
- The NotebookโAgota Kristof
- The Dog of the SouthโCharles Portis
- The ProofโAgota Kristof
- The Third LieโAgota Kristof
- Jacob von GuntenโRobert Walser
- Crimes in Southern Indiana (story collection)โFrank Bill
- Last Evenings on Earth (story collection)โRoberto Bolaรฑo
- Black Dahlia & White Rose (story collection)โJoyce Carol Oates
- Blood Line (story collection)โDavid Quammen
- The JookโGary Phillips
- CowboysโGary Phillips
- Chronicle in StoneโIsmail Kadare
- Bring Me Your Saddest Arizona (story collection)โRyan Harty
- The Return (story collection)โRobert Bolaรฑo
- Red Cavalry (story collection)โIsaac Babel
- Fitting Ends (story collection)โDan Chaon
- The Deep (story collection)โMary Swan
- Stolen Pleasures (story collection)โGina Berriault
- Volcano and MiracleโGustaw Herling
- Tenth of December (story collection)โGeorge Saunders
- All That IsโJames Salter
- The Fun Parts (story collection)โSam Lipsyte
- Nothing Gold Can Stay (story collection)โRon Rash
- StonerโJohn Williams
- LolitaโVladimir Nabakov
- The Buddha of SuburbiaโHanif Kureishi
- The Iliad of HomerโRichmond Lattimore translation
- Under the VolcanoโMalcolm Lowry
- Middle Men (story collection)โJim Gavin
- Geographies of HomeโLoida Maritza Perez
- Catโs EyeโMargaret Atwood
- The Color Master (story collection)โAimee Bender
- The Question of Bruno (story collection)โAleksandar Hemon
- The Street of Crocodiles (story collection)โBruno Schulz
- All Quiet on the Western FrontโErich Maria Remarque
- The Education of Henry AdamsโHenry Adams
- Drowning Lessons (story collection)โPeter Selgin
- 179 ways to Save a NovelโPeter Selgin
- The Bullfighter Checks Her MakeupโSusan Orlean
- Strait is the GateโAndre Gide
- Batting for Castro (story collection)โJim Shepard
- No One Belongs Here More Than You (story collection)โMiranda July
- Mathew Brady: Portraits of a Nation (biography)โRobert Wilson
- The House of Seven GablesโNathaniel Hawthorne
- The MarchโE.L. Doctorow
- The River Swimmer (story collection)โJim Harrison
- Photo by BradyโJennifer Armstrong
- We Live in Water (story collection)โJess Walter
- We Wanted to be Writers: Love, Life and Literature at The Iowa Writersโ Workshopโย ย ย ย ย ย ย ย ย ย ย ย Eric Olsen & Glenn Schaeffer
- The Red Badge of CourageโStephen Crane
- WenchโDolen Perkins-Valdez
- Love and Obstacles (story collection)โAleksandar Hemon
- Franz Kakfa: The Complete Stories
- See Then NowโJamaica Kincaid