“Safe” and “The Line”

Safe

On my way to the obstetrician
I pass a street of venders.
Sparkling jewels reflect Soho light,
hand-knitted hats
parade without heads,
art set up like an obstacle course
on the sidewalk. One table
displays a collection of onesies
and infant rock tees. Marley
puffs in the center of one, next to
Joplin, her mouth wide open.
I eye Dylan, his rainbow hair
wild as Medusaโ€™s snakes.
Youโ€”in my belly
press on my bladder.
Thereโ€™s an old Jewish provision
not to buy anything till the baby
arrives, alive.
Just to be safe, I adhere.

The Line

The trees make it look easy.
Dropping their leaves
as if never attached.

I clutch sorrow like
a passport in a foreign land.

The space by the Lincoln Memorial
is empty today. I picture it
as it was two nights ago.
The crowd chanting peace
holding candles against
the wind, re-lighting them
each time they extinguished.

The vigils I remember most
happen in a different city.
We walk from Prospect Park
across 7th Avenue,
walk for women who carry
faces of fear,
looking into eyes they love.
Survivors who have had embraces
turn into a battle of self-defense.

There is always some war to fight.

What if I became a tree
rooted strong in the rage
of all weather.
What if I chose to strip down
to a vessel of joy,
despite it all?

Gabriella Belfiglio is a recent fellow at the Saltonstall Arts Foundation. She’s a winner of the W.B. Yeats Poetry Award, and her writing has appeared most recently inย Paterson Review. She works as an artist and teacher in New York City, USA.