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Is the Room

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Is the Room
debut poetry collection
with art by notable photographer Grace Roselli

โ€œThese rich, spare poems are here to remind us that we are mistaken, thinking so rarely of transformations, and when we do, in thinking mostly of the ends of them. Is the room places us in contact with transformation as action, where with this bookโ€™s speaker, we come alive to domestic and sentient processes rife with illusion, breakings up and down, passing, being passed, hiddenness, exposure, signs, the failure of signs, waiting, glimpses, dismantling, joy. Rosetta Ballew-Jennings shares Jean Valentineโ€™s love of silences (deep listening is there), but these poems are completely her own, and with this stunning debut collection, ours.
โ€”Kathleen Peirce, poet, The Ardors and The Oval Hour

โ€œIn this debut collection Rosetta Bellew-Jennings brings an unflinching attention and a strong voice to the conversation. The site of crisis is interior โ€” both inside the house and the that which we must go through alone. In many ways readers are housebound voyeurs, but in the end itโ€™s really us weโ€™re watching in these mirrored walls. Built on fragments that are both elegant and focused, Is The Room draws our attention to the isolation of looking, and the clarity of โ€˜[s]omething I cannot find.’โ€

โ€”John Gallaher, poet, Your Father on the Train of Ghosts and Map of the Folded World

โ€œBallew-Jenningsโ€™ poems have us question the nature of relationship and life as people move in and out of our lives, and us across time. If the origin of the word haunt is to pull, claim, to lead home, then Is the Room is a collection of poems that both haunts the reader and feels haunted itself. Through her mysterious and lovely collection, the poet reveals the boundaries between what/who we know and what/who we think we know, and the variety of separations, however arbitrary, that exist between them/us. Ballew-Jennings leads us, pulls us toward a home that dwells in our collective memories.
โ€”Stacy Christie, writer; editor at Hothouse

โ€œRosetta Ballew-Jenningsโ€™s poems are alive and intelligent. Their deliberate, sometimes disorienting syntax takes us on a multilayered journey through rooms, doors, hallways and windows. The physical as well as the emotional space within the poems is haunted, and everywhere we question what we see, for we witness people and colors โ€˜change back and forthโ€™ and โ€˜you may not be/ the you of here.โ€™ Ultimately, this book is about love, a story โ€˜about something/ you would underline twice.’โ€
โ€”Katerina Stoykova-Klemer, Senior Editor, Accents Publishing

โ€œIs the room makes poetry out of dream logic and uncertainty, whether itโ€™s a location only specified as โ€˜left of where you areโ€™ or a phone message from a woman who canโ€™t say why sheโ€™s calling. Rosetta Ballew-Jenningsโ€™ writing explores stark and disconcerting fragments of a domestic life where even household doors and halls donโ€™t fit together quite right, and where a conversation about cereal and milk shifts abruptly to โ€œI donโ€™t love you, / or something like that.โ€ With mysterious lyricism and echoes of Jean Valentine, this book heeds the authorโ€™s plea and applies it to the reader: โ€˜Please do not forget / what I am afraid of.’โ€
โ€” Steven D. Schroeder, author of The Royal Nonesuch; and editor of Anti-